Finally! Most subscribers probably forgot about this podcast. I would have.
Here is a piece I recently did for a local modern dance company. They called it PE, because the choreography revolved around sports. That’s as good of a title as I could give it, so that’s what we’ll call it.
I am not very proud of this one at all. It has definitely been too long since I’ve tried writing anything…
You can download the track by right-clicking here.
Yet again, it has been ages since I’ve posted anything. I’ve been chipping away at this one for several months. I had jury duty earlier this month. I brought my computer along; I finished this while waiting in the San Diego County Hall of Justice.
Right click this link to download the audio file.
The first post in almost nine months!
This is a re-mix/mashup of “Crosseyed and Painless” by Talking Heads. The majority of the sounds come from the original song, but I also pulled a few from some other tracks on Remain in Light. To be honest, I am not all that happy with this piece. I decided, though, that the best way to make this one better was to move on. This one is a bit of a “transition,” if you will.
Right click this link to download the audio file.
Enjoy.
This is basically the Kyrie from Palestrina’s Missa Papae Marcelli chopped up, slowed down, and twisted. I suppose this might qualify as sacrilege for some, but I think it sounds pretty cool, and is just as moving as the original.
Right click on the link to download the audio file.
I didn’t really sit down to write a “re-make” or “re-mix,” but that is kind of what ended up coming out. All the musical “material” I used came from the first six notes of “1/1″ from Music for Airports, everything else you hear are just overtones.
Right click on the link to download the audio file.
Tags: 1/1, Ambient, Brian Eno, Music for Airports
Esther Jordan, voice
Pat Setzer, lute
Taylor Smith, bass viol
“Come Again” by John Dowland (c. 1562 – 1626).
Recorded live at Cuyamaca College, El Cajon, CA.
This is a remix of one of my favorite tracks on Radiohead’s Kid A. I limited myself to using samples only from the original, just to make it interesting. Actually at the very end I slipped in a sample from the string quartet version, but that almost doesn’t count.
Right click on the link to download the audio file.
This track came about as part of my application for a job at Cuyamaca College. I got the job, so I guess that’s all that really matters.
Right click on the link to download the audio file.
Mark Howard, harpsichord
Taylor Smith, bass viol
III. Adagio from Sonata for Viola da Gamba and Harpsichord attributed to George Friderich Handel (1685 – 1759).
Recorded live at Claremont Graduate University, Claremont, CA.
Mark Howard, harpsichord
Taylor Smith, bass viol
III. Minuetto from Sonata in A Major by Carl Friedrich Abel (1723 – 1787).
Recorded live at Claremont Graduate University, Claremont, CA.
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